Short Fiction
Fish / Bedford Square Review / Apr 2025
Island Person / Oxonian Review / Sep 2023
Essays & Criticism
The magic and mischief of Xi Xi / The Nation / 15 Oct 2024
Text me when you’re done: Carissa’s Wierd / Feeld Magazine / 9 Aug 2024
field notes / Cha Journal / Jun 2023
once more with feeling / Asia Art Archive / 13 Jul 2022
On airports, hospitals, and prisons in Hong Kong / New York Magazine / 13 Jun 2022
On the crisis of identity at The University of Hong Kong / Foreign Policy / 22 May 2022
This is always the last time you’ll ever be here / Evergreen Review / Feb 2022
On first love, nostalgia & Kowloon City / Mekong Review / Feb 2022 (print)
Junk Boats and English Boys: Damon Albarn’s Hong Kong / Cicada Mag / 25 Nov 2020
On protest trauma in 2019 (and Keanu Reeves) / the New York Times / 27 Nov 2019 (print)
Hong Kong protests & parallel universes / the New York Times / 30 Aug 2019 (print)
The dangerous romance of Hong Kong protests / Foreign Policy / 1 Jul 2019
On copaganda, and the fraught relationship between cops & protesters in Hong Kong / New Statesman / 16 Jul 2019
Jenny Zhang’s female gaze / LA Review of Books China Channel / 9 Jan 2019
Features & Profiles
St Vincent has always crafted her own identity / PostMag / 24 Nov 2024
Olivier Cong’s Tropical Church is an ode to Hong Kong via experimental sounds / PostMag / 19 Aug 2024
Dominique Knowles for Kiang Malingue’s The Solemn and Dignified / Aug 2024
“Tear gas on one street and civilians walking on another” / The California Sunday Magazine / 14 Nov 2019 (print)
Wellsaid wants to live forever / Still Loud / 4 May 2019
Leung Wing Lai: The gentle anarchist / Still Loud / 16 Feb 2019
Villagers in the New Territories are fighting to preserve their way of life—through music / Still Loud / 15 Apr 2018
David Boring’s debut album is a portrait of Hong Kong’s toxic dystopia / Still Loud / 30 Apr 2017