Short Fiction
Fish / Bedford Square Review / Apr 2025
Island Person / Oxonian Review / Sep 2023
Essays & Criticism
Nothing Time / Asia Art Archive / Feb 2025
Exits Exist / Tint Journal / Sep 2025
The magic and mischief of Xi Xi / The Nation / Oct 2024
So close, yet so off / Asia Art Archive / Oct 2023
field notes / Cha Journal / Jun 2023
once more with feeling / Asia Art Archive / Jul 2022
On airports, hospitals, and prisons in Hong Kong / New York Magazine / Jun 2022
On the crisis of identity at The University of Hong Kong / Foreign Policy / May 2022
This is always the last time you’ll ever be here / Evergreen Review / Feb 2022
On first love, nostalgia & Kowloon City / Mekong Review / Feb 2022 (print)
Junk Boats and English Boys: Damon Albarn’s Hong Kong / Cicada Mag / Nov 2020
On protest trauma in 2019 (and Keanu Reeves) / the New York Times / Nov 2019 (print)
Hong Kong protests & parallel universes / the New York Times / Aug 2019 (print)
The dangerous romance of Hong Kong protests / Foreign Policy / Jul 2019
On copaganda, and the fraught relationship between cops & protesters in Hong Kong / New Statesman / Jul 2019
Jenny Zhang’s female gaze / LA Review of Books China Channel / Jan 2019
Features & Profiles
St Vincent has always crafted her own identity / PostMag / Nov 2024
Olivier Cong’s Tropical Church is an ode to Hong Kong via experimental sounds / PostMag / Aug 2024
Dominique Knowles for Kiang Malingue’s The Solemn and Dignified / Aug 2024
“Tear gas on one street and civilians walking on another” / The California Sunday Magazine / Nov 2019 (print)
Wellsaid wants to live forever / Still Loud / May 2019
Leung Wing Lai: The gentle anarchist / Still Loud / Feb 2019
Villagers in the New Territories are fighting to preserve their way of life—through music / Still Loud / Apr 2018